|
"Creating The Significance of One"
Fiona Farrell shoots off
How I Made the Photos
I took the photos in single shot
sessions by overexposing the images
then overdeveloping them then I
printed at a high grade. I learned
the technique while in Art College
in Ireland and I perfected it while
discussing projects with my tutors.
Like everybody I know, I would like to
be a major photographer and it's okay
if the major studios call me. I like
the stuff being filmed in today's big
film releases -- they kinda shoot right
right at you. What's even better about
films like ID4, The Rock, Eraser,
Twister and Mission Impossible
is how they're based on a badass
conspiracy out there.
When Presidential aides in Independence
Day whisper furtively about Area 51,
it's for real, because everyone knows
how all governments cover up the best stuff,
and what's really revealing is a lot
of my friends definitely know what
it is they're covering up.
So, the question is no longer
whether the government is hiding
things from us. And the question
isn't what the government is
hiding. The question of the day
is, what are we gonna do about it?
Why, shoot stuff up, of course.
Which brings me back to what
all these megablaster movies have in
common. And, why, really, I just
love them so very much.
I just love to photograph things
getting blown up. No problem getting
me out of bed if there's an explosion
to photograph. It's the chemistry of
the moment, the breathy anticipation,
the whoosh as the explosion
rushes across my face that turns me on.
Some of my more laid-back friends get off
on the subtle side of life but you can
count me smack in the middle of the
Shoot-em-up Culture cos I just
love it! I get all wired when I hear
about plots reeking with paranoia, with
bad guys who cannot be held
responsible for what they do, where
"the 'hood" is the root of evil.
My solution is simply elegant --
shoot it up!
No need to get alarmed, however.
No cause to blow things out of proportion.
I'm just a photographer, you know.
musings of
Fiona Farrell
|